A sweet, older dog, loved by his mistress. 5" x 5" (2B pencil on watercolor paper)by Linda Snider Ward
Linda's blog
A sweet, older dog, loved by his mistress. 5" x 5" (2B pencil on watercolor paper)

This is Chloe. She is a mixed breed dog ( lab, husky, and ???) with the absolute sweetest personality. I met her a few weeks back when her owners brought her over so we could talk about their portrait commission and Chloe spent the time waiting patiently and obediently in my kitchen while we talked. She was very well behaved and was wonderfully cooperative when we took a few pictures for the portrait. It was so nice to work with such a well trained dog! I wanted to get photos of her in different light because though she is a mostly black dog she had some beautiful brown hairs dispersed through out her coat and around her eyes. Her owners wanted to be sure that could be seen in the painting. I also wanted to have a good strong light from one side so that there would be more depth to her black coat.


This painting is oil on canvas painted on all sides. I took a photo of my two of three Labs waiting so patiently for "Dad" to come home. I loved the light and shadow and needed to capture it in oils. The stretched canvas is 5 x 5 x 1.5" and make's a lovely 3D piece when hung. Contact me if you would be interested in having this size for your home and pet. Thanks, Sheila Wedegis



This oil is 18" x 24" on stretched canvas. How to get three Labs on was a challenge. The Yellow Lab kept "taking" all the room and I joking asked the client was he the Alpha Lab and for sure, he was. It's funny what comes out when you work. I do feel the spirit of dogs when I work and that's what you will get in my portrait paintings. The spirit of your friend.

This painting is in celebration of Valentine's Day but Dalmatian style...just for fun, inspired by a Dal named Dash who has wonderfully expressive brown eyes.
In my painting of Labrador Retrievers, I also paint pieces for sale with part of the proceeds going to the Lab Rescues that I work with. This is one I did today. Is this a look of love from the older Lab or tolerence. ..Since I have three Labs that allow me to share their space..oh yes..it is their space..thew look is probably a bit of both.
"Finnigan," 11" x 14", mixed media on bristol board, not for sale. Inquiries (including booking your own pet portrait, from miniature size [4" x 4"] to larger than life) may always come to me. When I'm not doing pet portraits, chances are I'm doing something I call "creative journalling." Creative journals are today's equivalent of a diary, a combination of journalling, drawing, and painting - a means of collecting ideas that are both textually and visually based. I keep several journals which are places I can safely commit my ideas, without fear of reprimand or criticisms. Creative journalling is especially keyed towards younger souls - those who don't yet have a total grasp of vocabulary or representational skills to completely express their ideas in one direction or the other (text vs visual). They are also a perfect match for those interested in expressing ideas exclusive of pure verbage. Creative journalling is the best platform to explore thoughts and direction in that there are absolutely no limitations whatsoever. I am especially blessed in that I have multiple opportunities to work with students, exposing them with means to embrace their own voices and share ideas through journalling. (I'll be leading a Creative Journalling class at Little Monsters in the next two weeks - call them for information - 248-814-8697). This week I am the visiting artist at an elementary school, working with 4th graders on identifying the visual elements in story telling. Specifically we will be creating collaged pet portraits like my Finnigan's (above), working at sharing our own stories through the use of visual and textual cues. The workshop will culminate in a professional level exhibition encompassing the artwork created during our time together, complete with an opening party and press reviews. And should the weather cooperate, all will begin tomorrow with a presentation outlining key details in building a portrait: positive vs negative space, patterning, cropping, color, text, material use, layers and edgework. Want me to come to your school for a similar workshop? Send me an email! Thanks, as always, for looking at - and sharing - my artwork with your friends and family. Kim PS Looking for Iris II? Stay tuned - I'll share it asap!! SHOP ORIGINALS & LIMITED EDITION GICLEES: at my Etsy shop ORDER CUSTOMIZED NOTECARDS & REPRODUCTIONS: at Imagekind COMMISSION A PET PORTRAIT: contact me GIFT CERTIFICATES AVAILABLE: contact me READING MATERIAL: Preview and order each of the Dog a Day books at the publisher's website: The First Year (2006-2007) and That's 14 in Dog Years (2008). If you would like your copy personalized, order them through me. |




Compare this image with my last posting, and you'll see some VERY important changes, but those changes might not even be noticeable at first glance. That's the beauty of the artist's eye--the subtleties that we are aware of because of our training, years of comparing and contrasting what we want versus what is already on that flat surface. The changes just HAD to be done. I still think this one should have gotten into the Art Show at the Dog Show, but when they are "show" people, perhaps they ahve a different outlook on dogs in general. My paintings of the shelter cast offs didn't receive merit there, however YOUR response to that series made my day. So art shows are one good venue for exposure, but ought not be the end-all-be-all for measuring one's artistic competence.
I'm going to share with you the source material for the second painting (the acrylic) that's in the new DVD coming out "Misty Light and Overcast Days" in the Colorful Painting Series. Since this one has acrylic paint on it, too, I have had to drop the "Oil" out of the title! It is a composite (roughly assembled in Photoshop) of a 100% wolf that belongs to an acquaintance. Three images of the same wolf makes for an interesting composition, and you can bet I'll be adding to and changing it for good "painterly" execution. It's going to be on a 16 x 20 linen canvas.


"Complicity" Graphite on paper, 37x26 cm
copyright Sheona Hamilton-Grant
"Tall Grace"Graphite on paper, 39x22 cm
copyright Sheona Hamilton-Grant